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DTSTART;TZID=Europe/Paris:20260203T173000
DTEND;TZID=Europe/Paris:20260203T193000
DTSTAMP:20260405T111706
CREATED:20260126T153802Z
LAST-MODIFIED:20260126T154041Z
UID:6985-1770139800-1770147000@eurorbem.sorbonne-universite.fr
SUMMARY:Séminaire "Critical Heritage Studies": « Patrimonialiser les pratiques de l’art contemporain\, au pays ou en exil\, de l’Asie centrale à l’Europe »
DESCRIPTION:— Dilda Ramazan (Eur’Orbem – CNRS / Sorbonne Université)\, Aitys\, Or The Central Asian Art Of Improvisation\, In Works Of Contemporary Artists\nAitys presents itself as a form of oral poetic joust\, improvised and performed through spoken word or song\, generally accompanied by a traditional musical instrument. It is a competition in which two performers confront each other in a dialogic exchange on themes proposed by the audience\, combining humorous retorts\, critical observations\, and philosophical reflections. Recognized in 2015 by UNESCO as Intangible Cultural Heritage of Humanity\, aitys occupies an important place in the cultural life of Central Asia today. It is mobilized in a variety of contexts — from community celebrations to national events — and frequently serves as a vehicle for expression on contemporary social issues. This presentation proposes to examine a significant evolution in the role of aitys within current cultural dynamics. In particular\, it will analyze the tensions between\, on the one hand\, attempts by state institutions to depoliticize this art form\nand\, on the other\, its critical appropriation by contemporary artists\, who turn it into a space for contestation\, engaged creation\, and the reconfiguration of social imaginaries. \n— Razia Sultanova (Cambridge Muslim College & Université de Sarajevo)\, From Vision To Institution: Cultural Leaders And The Shaping Of Central Asian Musical Heritage\nThis paper examines the institutionalisation of Central Asian music in the post-Soviet era\, with particular attention to the interplay between state policy\, transnational networks\, and individual leadership. Since the early 1990s\, following independence\, cultural institutions across the region have expanded their capacity to host international events and participate in global cultural exchange. Kazakhstan has taken a leading role through structural reforms in higher education\, the Bolashak scholarship programme\, and the successful organisation of major international events such as the 2015 ICTM World Conference. Comparable initiatives in Uzbekistan — most notably the regular Sharq Taronalari\, Boysun Bahori\, and Raqs Sehri festivals\, the recent First International Contemporary Art Bukhara Biennale (2025)\, and the establishment of the Academy of Shashmaqam — and in Kyrgyzstan\, with large-scale projects such as Rukh Ordo and Ruh Sanaat\, reveal both regional emulation and competition. At the core of these developments lies the growing role of nonstate actors and cultural leaders\, alongside attempts to establish transnational governance structures (e.g.\, TURKSOY and the Turkic Culture and Heritage Foundation) at the intersection of Western and local musical traditions. The study argues that the institutionalisation of music in Central Asia is not a linear process but a dynamic negotiation between state policy\, international cultural diplomacy\, and the visions of individual actors. This convergence has elevated the global visibility of Central Asian musical heritage and reshaped the region’s cultural identity on the world stage. \nPour recevoir le lien Zoom\, veuillez contacter : aleksandra.kolesnik@uni-bielefeld.de
URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-critical-heritage-studies-patrimonialiser-les-pratiques-de-lart-contemporain-au-pays-ou-en-exil-de-lasie-centrale-a-leurope/
LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006
CATEGORIES:Séminaires
ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2026/01/Critical-Heritage_seance_3_fevrier_2026-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260206T140000
DTEND;TZID=Europe/Paris:20260206T160000
DTSTAMP:20260405T111706
CREATED:20260121T154809Z
LAST-MODIFIED:20260121T155418Z
UID:6946-1770386400-1770393600@eurorbem.sorbonne-universite.fr
SUMMARY:L’espace littéraire de Berlin à Vladivostok  Le dialogue littéraire bulgaro-serbe en France
DESCRIPTION:Séminaires inter-laboratoires \nRencontres littéraire comme pratique pédagogique et objet d’étude\nIntervention de Livija Ekmecic\, Université de Strasbourg \nExplorer les relations intertextuelles à travers des binômes littéraires\nIntervention de Miryana Yanakieva\, Université de Strasbourg
URL:https://eurorbem.sorbonne-universite.fr/event/lespace-litteraire-de-berlin-a-vladivostok/
LOCATION:Bibliothèque Diderot de Lyon\, 5 parvis René Descartes\, Lyon\, 69007\, France
CATEGORIES:Séminaires
ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2026/01/6-fevrier-affiche_espace-litteraire-Programme2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260212T170000
DTEND;TZID=Europe/Paris:20260212T190000
DTSTAMP:20260405T111706
CREATED:20260122T102900Z
LAST-MODIFIED:20260122T102900Z
UID:6958-1770915600-1770922800@eurorbem.sorbonne-universite.fr
SUMMARY:Histoire de la littérature russe\, XVIIIe-XXe siècles
DESCRIPTION:Claudia Criveller (Università di Padova) : Cinema and Russian Symbolism. \nhttps://zoom.us/j/95289344476?pwd=yvHQQl2EU1zo0xgdbVbUEH6ESuMoEu.1\nID de réunion: 952 8934 4476\nCode secret: Livres
URL:https://eurorbem.sorbonne-universite.fr/event/histoire-de-la-litterature-russe-xviiie-xxe-siecles-20/
LOCATION:ZOOM
CATEGORIES:Séminaires
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260227T140000
DTEND;TZID=Europe/Paris:20260227T160000
DTSTAMP:20260405T111706
CREATED:20250722T070410Z
LAST-MODIFIED:20250722T070502Z
UID:6350-1772200800-1772208000@eurorbem.sorbonne-universite.fr
SUMMARY:Séminaire commun Eur’ORBEM
DESCRIPTION:Fragilité(s) – représentations culturelles du vivant dominé : corps\, minorités et nature\, entre agression\, résilience et agentivité (XVIIIe–XXIe siècles) \n\nKinga Callebat : Au-delà de l’Anthropocène : la pensée post-humaniste dans l’œuvre d’Olga Tokarczuk.\nArthur Clech : Entre trahison et affirmation poétique : l’explosion des identités dans la prose queer de Kharitonov et ses résonances contemporaines.\n\nProgramme 2025-2026
URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-commun-eurorbem-25/
LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006
CATEGORIES:Séminaire commun Eur'ORBEM,Séminaires
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