BEGIN:VCALENDAR VERSION:2.0 PRODID:-//EURORBEM - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:EURORBEM X-ORIGINAL-URL:https://eurorbem.sorbonne-universite.fr X-WR-CALDESC:Évènements pour EURORBEM REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Paris BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20251026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20260329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20261025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20270328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20271031T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20250606T120000 DTEND;TZID=Europe/Paris:20250606T150000 DTSTAMP:20260426T192720 CREATED:20250521T134135Z LAST-MODIFIED:20250521T134438Z UID:6184-1749211200-1749222000@eurorbem.sorbonne-universite.fr SUMMARY:Kroujok sur le XIXe siècle littéraire russe DESCRIPTION:Anastasiia Kozyreva: « Le Loubok comme source\, dispositif et objet littéraires » \nAleksey Lukashkin: « Les aventures d’un jeune homme bien intentionné\, racontées par lui-même (Похождения одного благонамеренного молодого человека\, рассказанные им самим\, 1879) de K.M. Stanioukovitch comme partie de la « trace stendhalienne » dans la littérature russe ». \nhttps://zoom.us/j/99159396970?pwd=REY6b7QjpG88BZWOAQ81MZdLH09fwH.1 \n  \n  URL:https://eurorbem.sorbonne-universite.fr/event/6184/ LOCATION:ZOOM CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2025/05/Kroujok-4-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20250613T120000 DTEND;TZID=Europe/Paris:20250613T133000 DTSTAMP:20260426T192720 CREATED:20250129T144214Z LAST-MODIFIED:20250129T144340Z UID:5524-1749816000-1749821400@eurorbem.sorbonne-universite.fr SUMMARY:UNDER EASTERN EYES East European Writers Reimagining the West from the Great War to Present Times DESCRIPTION:Agnieszka Hudzik (Universität des Saarlandes CEUS)\nThe Politics of Literature between East-Central Europe and Latin America (1968-1989)\nLien zoom\nhttps://cnrs.zoom.us/j/99410228354?pwd=bRDyKpmosiR4xWb5tbBcQBS5oZ4UcB.1 \nUNES Seminar Program 2025_4EU+ URL:https://eurorbem.sorbonne-universite.fr/event/under-eastern-eyes-east-european-writers-reimagining-the-west-from-the-great-war-to-present-times-5/ LOCATION:ZOOM CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2025/01/UNES_Seminar-Program_2025_4EU-copie.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20250620T140000 DTEND;TZID=Europe/Paris:20250620T163000 DTSTAMP:20260426T192720 CREATED:20240823T092103Z LAST-MODIFIED:20250527T140011Z UID:4794-1750428000-1750437000@eurorbem.sorbonne-universite.fr SUMMARY:Séminaire commun Eur'ORBEM Atelier : la fabrique de la thèse DESCRIPTION:Séance consacrée aux doctorants du labo junior Passages. \nNatalia Kolyagina : Advantages and limits of genre studies approaches in work with memoirs of women participants of dissident movement in the USSR (at the example of human rights Moscow circles). \nRomain Marmont : L’intertextualité face à l’ambiguïté conceptuelle du discours critique au tournant des années 1930.\n\nKrystian Klekot : Citer les sources archivistiques à l’ère numérique ». \nProgramme 2024-2025 URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-commun-eurorbem-21/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaire commun Eur'ORBEM,Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20251003T140000 DTEND;TZID=Europe/Paris:20251003T160000 DTSTAMP:20260426T192720 CREATED:20250722T065115Z LAST-MODIFIED:20250923T143057Z UID:6338-1759500000-1759507200@eurorbem.sorbonne-universite.fr SUMMARY:Séminaire commun Eur’ORBEM DESCRIPTION:Séance chercheurs invités \n\nMarek Jedliński (Adam Mickiewicz University in Poznań)\nThe phenomenon of Putin’s homophobia and transphobia as a continuation of the Bolshevik era.\nYuliia V. Zevako (Programme Metchnikov)\n“Languages of Memory” and “Intangible Family Heritage” in Autobiographical and Family Narratives of Descendants.\n\nProgramme 2025-2026 URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-commun-eurorbem-22/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaire commun Eur'ORBEM,Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20251007T173000 DTEND;TZID=Europe/Paris:20251007T193000 DTSTAMP:20260426T192720 CREATED:20250929T081755Z LAST-MODIFIED:20251003T065336Z UID:6508-1759858200-1759865400@eurorbem.sorbonne-universite.fr SUMMARY:Critical Heritage Studies in the Post-Socialist Space. Vulnerable Past Uncertain Future Institutionalization of Heritage in Times of Crisis DESCRIPTION:Institutionnalisation du patrimoine soviétique : une lecture critique en temps de crise\nInstitutionalizing Soviet Heritage: A Critical Perspective in Times of Crisis \n\nIrina SANDOMIRSKAJA (Södertörn University) :\n«An Uncertain Past\, a Vulnerable Future: Institutionalizing Heritage during the Time of Historical Change»\nJulie DESCHEPPER (Utrecht University) :\n«Past\, Present and Future of Researching Soviet Heritage-Making»\n\nZoom  Inscription : aleksandra.kolesnik@uni-bielefeld.de \nProgramme_CHS_25-26 URL:https://eurorbem.sorbonne-universite.fr/event/critical-heritage-studies-dans-lespace-post-socialiste/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2025/09/Poster-CHS-seance-7_10_25-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20251104T173000 DTEND;TZID=Europe/Paris:20251104T193000 DTSTAMP:20260426T192720 CREATED:20250929T082621Z LAST-MODIFIED:20251031T150227Z UID:6519-1762277400-1762284600@eurorbem.sorbonne-universite.fr SUMMARY:Critical Heritage Studies in the Post-Socialist Space. Vulnerable Past Uncertain Future Institutionalization of Heritage in Times of Crisis DESCRIPTION:Rock et mémoire collective en Russie et Biélorussie : entre marginalisation et légitimation\nRock and Collective Memory in Russia and Belarus: Between Marginalization and Legitimation \n\nAlexandra KOLESNIK (Bielefeld University) :\n«Rock\, Memory\, and Conflicts: The Heritagization of Soviet Rock Music in the Post-Soviet Space»\nThis paper examines the contested heritage of Viktor Tsoi\, the iconic Soviet rock musician whose memory remains central across the post-Soviet space. Since 1990\, fan memorials — walls\, plaques\, museums\, and concerts — have functioned as grassroots lieux de mémoire\, fostering transnational networks of remembrance. Yet over the past decade\, Tsoi’s legacy has been increasingly appropriated by the Russian state. His music and image have been reframed as patriotic heritage\, culminating in their militarized use after the 2022 invasion of Ukraine\, when his songs and image were mobilized in propaganda and Victory Day rituals. Drawing on interviews\, digital ethnography\, and fieldwork\, the paper situates this process of institutionalization within broader debates on authoritarianism and cultural resistance. It argues that the struggle over Tsoi’s legacy illustrates how popular culture becomes a contested political resource\, exposing the tension between bottom-up memory practices and state-driven heritage regimes. \n\nLizaveta LYSENKA (Kaiser-Friedrich-Wilhelm Universität Bonn) :\n«Soviet\, Western or Belarusian: Entanglements of Meaning and Heritagization of Music Band “Pesniary” before and\nafter 1991»\nThe Belarusian music band Pesniary began their career in 1969. The band’s music and visual style exemplify a complex interplay of Western\, Soviet\, and Belarusian cultural influences. In post-Soviet Belarus their music acquired the status of national heritage\, becoming a subject of debate within competing discourses on Belarusian national identity. These discourses emphasize selective aspects of the band’s significance within Soviet and Belarusian culture. The Belarusian state became the custodian of Pesniary’s legacy\, using it to reinforce the narrative that the Soviet past is the most (if not the only) significant period of Belarusian history. Meanwhile\, opponents of the state regime reimagined the band’s songs\, constructing a canon of national history in which Pesniary is the voice of the Belarusian people\, but without the Soviet element of their eclectic repertoire. In this narrative\, the « Westernness » of the band came to the forefront. This paper explores the antagonistic discourses of national identity\, comparing them to the Pesniary’s reception during the Soviet time to showcase how heritage discourse transforms popular music into a representation of the past.\n\nZoom  Inscription : aleksandra.kolesnik@uni-bielefeld.de\n\nProgramme_CHS_25-26 URL:https://eurorbem.sorbonne-universite.fr/event/critical-heritage-studies-in-the-post-socialist-space-vulnerable-past-uncertain-future-institutionalization-of-heritage-in-times-of-crisis/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Conférences,Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2025/09/2-4-nov-Critical-Heritage-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20251128T140000 DTEND;TZID=Europe/Paris:20251128T160000 DTSTAMP:20260426T192720 CREATED:20250722T065241Z LAST-MODIFIED:20250923T143151Z UID:6341-1764338400-1764345600@eurorbem.sorbonne-universite.fr SUMMARY:Séminaire commun Eur’ORBEM DESCRIPTION:Patrimoines en tension : inventions\, circulations\, aliénations\, réappropriations et effacements (XVIIIe–XXIe siècles) \n\nSarah Gruszka : D’une guerre à l’autre : la mémoire de la Seconde Guerre mondiale comme moyen d’expression sur la guerre en Ukraine.\nPrzemysław Czapliński (Adam Mickiewicz University\, Poznań) : Polish law and culture towards the Holocaust after 1989.\n\nProgramme 2025-2026 \n  URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-commun-eurorbem-23/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaire commun Eur'ORBEM,Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20251202T173000 DTEND;TZID=Europe/Paris:20251202T193000 DTSTAMP:20260426T192720 CREATED:20250929T082907Z LAST-MODIFIED:20251126T160017Z UID:6521-1764696600-1764703800@eurorbem.sorbonne-universite.fr SUMMARY:Critical Heritage Studies in the Post-Socialist Space. Vulnerable Past Uncertain Future Institutionalization of Heritage in Times of Crisis DESCRIPTION:Institutions et mouvements citoyens : l’héritage local de Moscou en mutation\nInstitutions and Grassroots Movements: The Changing Local Heritage of Moscow \n\nBoris STEPANOV (Université Paris Nanterre) :\n«Alternative Local Studies in Neoliberal Moscow: the Case of “Zabytye moryaki” Project» \nKraevedenie (local studies) reveals transformations in the post-Soviet space in the\ninterpretation of heritage and the range of agents and means of its creation .In Moscow\, we\nfound a vivid example of these transformations: the ‘new local studies’ that emerged in recent\ndecades have become deeply embedded in the metropolitan neoliberal culture. The casestudy\nof ‘Zabytye Moryaki’ (‘Forgotten Sailors’) artel — an independent group working in one\nof the semi-peripheral districts of the Russian capital — will serve as material for analysis of the\nsituation. We would like not only to discuss the possibilities of location-related kraevedenie\nwithin the Russian metropolis\, but also to analyse alternative strategies for work that address\nthe difficult past\, critically assessed urban policy and implement the ‘right to the city’.\nAlexei IZOSIMOV (University of Cambridge) :\n«Out of the Capital: Student-Led Restoration Initiatives in Late Soviet Russia» \nThis paper traces the history of voluntary and semi-voluntary participation in heritage\nrestoration and preservation in Moscow and beyond. Beginning with a handful of initiatives\nthat emerged in the second half of the 1960s\, these practices expanded significantly in the\n1970s–80s and spread across Soviet Russia.\nMoving beyond the conventional focus on professionals\, scholars\, and the intelligentsia\,\nI analyse non-professional participation and argue that Thaw-era youth — especially students\nin technical fields — were central to advancing the preservation agenda. Their activities\ndeveloped in close collaboration with older generations who carried pre-revolutionary cultural\nexperience and were eager to pass them on\, seeing the transfer of this experience as essential\nto safeguarding cultural heritage for the future.\nBy following the trajectory of these initiatives — from their Muscovite origins to their\nnationwide diffusion — the paper demonstrates how a movement born in the capital reshaped\nheritage activism across Soviet Russia\, laid the foundations for contemporary heritage NGOs\,\nand helped prepare the ground for modern volunteerism practices in contemporary Russia.\n\nZoom  Inscription : aleksandra.kolesnik@uni-bielefeld.de \nProgramme_CHS_25-26 URL:https://eurorbem.sorbonne-universite.fr/event/critical-heritage-studies-in-the-post-socialist-space-vulnerable-past-uncertain-future-institutionalization-of-heritage-in-times-of-crisis-2/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2025/09/seance-2-decembre1-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20251205T160000 DTEND;TZID=Europe/Paris:20251205T180000 DTSTAMP:20260426T192720 CREATED:20250722T065358Z LAST-MODIFIED:20251203T114803Z UID:6343-1764950400-1764957600@eurorbem.sorbonne-universite.fr SUMMARY:Séminaire commun Eur’ORBEM DESCRIPTION:La revue des livres d’Eur’ORBEM \nProgramme de la revue des livres \nProgramme 2025-2026 URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-commun-eurorbem-24/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaire commun Eur'ORBEM,Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20251218T160000 DTEND;TZID=Europe/Paris:20251218T180000 DTSTAMP:20260426T192720 CREATED:20251211T141209Z LAST-MODIFIED:20251211T141859Z UID:6852-1766073600-1766080800@eurorbem.sorbonne-universite.fr SUMMARY:« Les fonds privés : cas d’école ou pas de côté ? » par Juliette Milbach DESCRIPTION:Dans le cadre du Séminaire « Décrire la création » / 2025-2026\nITEM – Institut des textes et manuscrits modernes \n\nDocteure en histoire de l’art (Université Paris 1) et chargée de cours à l’Université de Picardie Jules Verne (UFR Art)\, Juliette Milbach est chercheuse associée au CERCEC (CNRS/EHSS) et à l’ITEM. Elle est lauréate de la Bourse Collection École des Modernités à l’Institut Giacometti\, 2024 pour la publication de l’ouvrage Paris\, Berlin\, Moscou. Louis Lozowick dans l’entre-deux-guerres (à paraître au printemps 2026). Elle est chercheuse associée BNF au département des Arts du spectacle pour l’année 2025-2026 sur le Fonds Nina Brodsky (référentes scientifiques : Laurence Decobert et Hélène Keller). Ce fonds a été donné à la BNF par Nina Brodsky en 1979 et conserve des documents variés non encore signalés (correspondances\, textes manuscrits et dactylographiés\, documentation)\, ainsi que des centaines de maquettes (décors\, y compris en volume\, et costumes)\, des croquis\, des photographies de décors\, clichés de projection pour décors projetés. URL:https://eurorbem.sorbonne-universite.fr/event/6852/ LOCATION:ENS\, 45 rue d'Ulm\, Paris\, 75005 CATEGORIES:Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260122T080000 DTEND;TZID=Europe/Paris:20260122T170000 DTSTAMP:20260426T192720 CREATED:20260122T105237Z LAST-MODIFIED:20260122T105328Z UID:6970-1769068800-1769101200@eurorbem.sorbonne-universite.fr SUMMARY:Histoire de la littérature russe\, XVIIIe-XXe siècles DESCRIPTION:Mark Lipovetsky (Columbia University) : Как возникло будущее\, которое стало\nнашим настоящим : Трансформации русского постмодернизма в начале 2000-х годов. \nhttps://zoom.us/j/95289344476?pwd=yvHQQl2EU1zo0xgdbVbUEH6ESuMoEu.1\nID de réunion: 952 8934 4476\nCode secret: Livres URL:https://eurorbem.sorbonne-universite.fr/event/6970/ LOCATION:ZOOM CATEGORIES:Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260203T173000 DTEND;TZID=Europe/Paris:20260203T193000 DTSTAMP:20260426T192720 CREATED:20260126T153802Z LAST-MODIFIED:20260126T154041Z UID:6985-1770139800-1770147000@eurorbem.sorbonne-universite.fr SUMMARY:Séminaire "Critical Heritage Studies": « Patrimonialiser les pratiques de l’art contemporain\, au pays ou en exil\, de l’Asie centrale à l’Europe » DESCRIPTION:— Dilda Ramazan (Eur’Orbem – CNRS / Sorbonne Université)\, Aitys\, Or The Central Asian Art Of Improvisation\, In Works Of Contemporary Artists\nAitys presents itself as a form of oral poetic joust\, improvised and performed through spoken word or song\, generally accompanied by a traditional musical instrument. It is a competition in which two performers confront each other in a dialogic exchange on themes proposed by the audience\, combining humorous retorts\, critical observations\, and philosophical reflections. Recognized in 2015 by UNESCO as Intangible Cultural Heritage of Humanity\, aitys occupies an important place in the cultural life of Central Asia today. It is mobilized in a variety of contexts — from community celebrations to national events — and frequently serves as a vehicle for expression on contemporary social issues. This presentation proposes to examine a significant evolution in the role of aitys within current cultural dynamics. In particular\, it will analyze the tensions between\, on the one hand\, attempts by state institutions to depoliticize this art form\nand\, on the other\, its critical appropriation by contemporary artists\, who turn it into a space for contestation\, engaged creation\, and the reconfiguration of social imaginaries. \n— Razia Sultanova (Cambridge Muslim College & Université de Sarajevo)\, From Vision To Institution: Cultural Leaders And The Shaping Of Central Asian Musical Heritage\nThis paper examines the institutionalisation of Central Asian music in the post-Soviet era\, with particular attention to the interplay between state policy\, transnational networks\, and individual leadership. Since the early 1990s\, following independence\, cultural institutions across the region have expanded their capacity to host international events and participate in global cultural exchange. Kazakhstan has taken a leading role through structural reforms in higher education\, the Bolashak scholarship programme\, and the successful organisation of major international events such as the 2015 ICTM World Conference. Comparable initiatives in Uzbekistan — most notably the regular Sharq Taronalari\, Boysun Bahori\, and Raqs Sehri festivals\, the recent First International Contemporary Art Bukhara Biennale (2025)\, and the establishment of the Academy of Shashmaqam — and in Kyrgyzstan\, with large-scale projects such as Rukh Ordo and Ruh Sanaat\, reveal both regional emulation and competition. At the core of these developments lies the growing role of nonstate actors and cultural leaders\, alongside attempts to establish transnational governance structures (e.g.\, TURKSOY and the Turkic Culture and Heritage Foundation) at the intersection of Western and local musical traditions. The study argues that the institutionalisation of music in Central Asia is not a linear process but a dynamic negotiation between state policy\, international cultural diplomacy\, and the visions of individual actors. This convergence has elevated the global visibility of Central Asian musical heritage and reshaped the region’s cultural identity on the world stage. \nPour recevoir le lien Zoom\, veuillez contacter : aleksandra.kolesnik@uni-bielefeld.de URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-critical-heritage-studies-patrimonialiser-les-pratiques-de-lart-contemporain-au-pays-ou-en-exil-de-lasie-centrale-a-leurope/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2026/01/Critical-Heritage_seance_3_fevrier_2026-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260206T140000 DTEND;TZID=Europe/Paris:20260206T160000 DTSTAMP:20260426T192720 CREATED:20260121T154809Z LAST-MODIFIED:20260121T155418Z UID:6946-1770386400-1770393600@eurorbem.sorbonne-universite.fr SUMMARY:L’espace littéraire de Berlin à Vladivostok Le dialogue littéraire bulgaro-serbe en France DESCRIPTION:Séminaires inter-laboratoires \nRencontres littéraire comme pratique pédagogique et objet d’étude\nIntervention de Livija Ekmecic\, Université de Strasbourg \nExplorer les relations intertextuelles à travers des binômes littéraires\nIntervention de Miryana Yanakieva\, Université de Strasbourg URL:https://eurorbem.sorbonne-universite.fr/event/lespace-litteraire-de-berlin-a-vladivostok/ LOCATION:Bibliothèque Diderot de Lyon\, 5 parvis René Descartes\, Lyon\, 69007\, France CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2026/01/6-fevrier-affiche_espace-litteraire-Programme2026.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260212T170000 DTEND;TZID=Europe/Paris:20260212T190000 DTSTAMP:20260426T192720 CREATED:20260122T102900Z LAST-MODIFIED:20260122T102900Z UID:6958-1770915600-1770922800@eurorbem.sorbonne-universite.fr SUMMARY:Histoire de la littérature russe\, XVIIIe-XXe siècles DESCRIPTION:Claudia Criveller (Università di Padova) : Cinema and Russian Symbolism. \nhttps://zoom.us/j/95289344476?pwd=yvHQQl2EU1zo0xgdbVbUEH6ESuMoEu.1\nID de réunion: 952 8934 4476\nCode secret: Livres URL:https://eurorbem.sorbonne-universite.fr/event/histoire-de-la-litterature-russe-xviiie-xxe-siecles-20/ LOCATION:ZOOM CATEGORIES:Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260227T140000 DTEND;TZID=Europe/Paris:20260227T160000 DTSTAMP:20260426T192720 CREATED:20250722T070410Z LAST-MODIFIED:20250722T070502Z UID:6350-1772200800-1772208000@eurorbem.sorbonne-universite.fr SUMMARY:Séminaire commun Eur’ORBEM DESCRIPTION:Fragilité(s) – représentations culturelles du vivant dominé : corps\, minorités et nature\, entre agression\, résilience et agentivité (XVIIIe–XXIe siècles) \n\nKinga Callebat : Au-delà de l’Anthropocène : la pensée post-humaniste dans l’œuvre d’Olga Tokarczuk.\nArthur Clech : Entre trahison et affirmation poétique : l’explosion des identités dans la prose queer de Kharitonov et ses résonances contemporaines.\n\nProgramme 2025-2026 URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-commun-eurorbem-25/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaire commun Eur'ORBEM,Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260303T173000 DTEND;TZID=Europe/Paris:20260303T193000 DTSTAMP:20260426T192720 CREATED:20260225T115412Z LAST-MODIFIED:20260225T120049Z UID:7092-1772559000-1772566200@eurorbem.sorbonne-universite.fr SUMMARY:"Critical Heritage Studies": « Institutionnalisation de la littérature jeunesse en Ukraine et en Russie » DESCRIPTION:Nous aurons le plaisir d’écouter (en anglais)\, puis de discuter (en anglais\, français\, ou autre) les communications suivantes : \n— Bella DELACROIX OSTROMOOUKHOVA (Sorbonne Université)\, Svetlana MASLINSKAIA (Université Grenoble Alpes)\, Cultural Policy\, Market Strategies: Children’s Literature and its Gatekeepers in Russia \nSoviet children’s literature was very diverse and prolific\, yet only a few authors and works are still not only published and read but also rank among the bestsellers of major commercial publishers. In the first part\, we will show how this ‘intangible heritage’ is incorporated into the reading practices of the parents and grandparents of child readers\, who are the core target audience of commercial publishers. However\, it was challenged by an entire ecosystem of independent publishing houses that implemented strategies to promote other forms of heritage: the alternative contemporary ‘world classics’ and new Russian-language literature\, which these publishing houses strive to promote as part of heritage.\nThroughout the 2010s\, and especially after 2022\, this conflict took on a political dimension\, in abroader context of the ideologization of everyday life in general\, and literature in particular. The ‘Soviet classics’ (the composition of which changed in relation to the bestsellers) became the moral standardand model to be adopted by the various actors supporting the state’s authoritarian policy. \n— Daria SEMENOVA (University of Warsaw)\, Guiding Adolescent Reading: Literary Curricula\, Evolving Canons\, and Cultural Memory in Post-Soviet Ukraine \nThis presentation starts from the premise that children’s and adolescent reading\, alongside school education\, plays a central role in socializing new generations into a cultural community. Through these channels\, young people learn what distinguishes their “imagined community” from others and how it has arrived at the present moment—that is\, they acquire a framework of cultural memory. While leisure reading selected by adults or by children themselves may vary\, state-approved humanities curricula serve as a key instrument through which students across a nation are introduced to a shared set of topics and interpretations of foundational historical and cultural narratives.\nThe presentation traces the evolution of the Ukrainian literature curriculum since independence\, examining how the canon—initially inherited from the Soviet period and mechanically expanded with previously censored texts—has changed over time. One notable development has been the inclusion of recently written works with contemporary settings that address questions of cultural memory through characters relatable to adolescent readers. This shift contrasts with earlier curricular models that relied primarily on texts from more distant historical periods\, which often required substantial contextualization to bridge the gap between students’ lived experience and the literary past. \nExceptionnellement\, cette séance se tiendra uniquement en ligne. \nPour recevoir le lien Zoom\, veuillez contacter : aleksandra.kolesnik@uni-bielefeld.de URL:https://eurorbem.sorbonne-universite.fr/event/critical-heritage-studies-institutionnalisation-de-la-litterature-jeunesse-en-ukraine-et-en-russie/ LOCATION:ZOOM CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2026/02/Affiche-seminaire-3-mars-2026-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260306T140000 DTEND;TZID=Europe/Paris:20260306T170000 DTSTAMP:20260426T192720 CREATED:20260226T084813Z LAST-MODIFIED:20260226T085329Z UID:7137-1772805600-1772816400@eurorbem.sorbonne-universite.fr SUMMARY:Sur les pas des traducteurs DESCRIPTION:Séminaire inter-laboratoires L’ESPACE LITTÉRAIRE de Berlin à Vladivostok\navec les interventions de :\n\nNatalia Gamalova\, Université Lyon 3\nLeonid Livak\, Université de Toronto \nPatrick Hersant\, Université Paris 8\nEn présentiel et en visioconférence URL:https://eurorbem.sorbonne-universite.fr/event/sur-les-pas-des-traducteurs/ LOCATION:Université Jean Moulin Lyon 3 / Manufacture des tabacs / Salle de visioconférence 323\, 1 avenue des Frères Lumière\, Lyon\, 69008 CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2026/02/web-affiche_espace-litteraire-3_Sur-les-pas-des-traducteurs_nouvelle-version.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260320T140000 DTEND;TZID=Europe/Paris:20260320T160000 DTSTAMP:20260426T192720 CREATED:20250722T072314Z LAST-MODIFIED:20260313T090927Z UID:6352-1774015200-1774022400@eurorbem.sorbonne-universite.fr SUMMARY:Séminaire commun Eur’ORBEM DESCRIPTION:Images fixes et animées\, espaces et usages de la création artistique jusqu’aux finalités utilitaires \n\nMichèle Fornhoff : Jouer la judéité : regard\, image et visibilité culturelle dans le théâtre yiddish et français à Paris (1919-1939).\nBella Ostromooukhova:   L’illustration jeunesse contemporaine russe dans le contexte de la guerre en Ukraine: enjeux et défis.\n\nProgramme 2025-2026 URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-commun-eurorbem-26/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaire commun Eur'ORBEM,Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260324T181500 DTEND;TZID=Europe/Paris:20260324T203000 DTSTAMP:20260426T192720 CREATED:20260309T132130Z LAST-MODIFIED:20260309T134106Z UID:7169-1774376100-1774384200@eurorbem.sorbonne-universite.fr SUMMARY:Prochaine séance du cycle « Arts en exil » : Cinéma russophone en exil DESCRIPTION:La rencontre réunira Valérie Pozner\, Eugénie Zvonkine et Anton Doline pour une discussion consacrée aux dynamiques contemporaines de l’exil dans le champ cinématographique et artistique. \n L’entrée est libre et la discussion se déroulera en français\, et en hybride. \nLien zoom : https://unige.zoom.us/j/68692819563 URL:https://eurorbem.sorbonne-universite.fr/event/prochaine-seance-du-cycle-arts-en-exil/ LOCATION:Université de Genève / Uni Mail\, salle MR030 CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2026/03/affiche-table-ronde-24-mars-cinema_page-0001.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260326T170000 DTEND;TZID=Europe/Paris:20260326T190000 DTSTAMP:20260426T192720 CREATED:20260122T103236Z LAST-MODIFIED:20260122T103236Z UID:6964-1774544400-1774551600@eurorbem.sorbonne-universite.fr SUMMARY:Histoire de la littérature russe\, XVIIIe-XXe siècles DESCRIPTION:Benjamin Musachio (Princeton University) : Versions or Perversions?: Anselm Hollo\nand the Beat-ification of Andrei Voznesenskii. \nhttps://zoom.us/j/95289344476?pwd=yvHQQl2EU1zo0xgdbVbUEH6ESuMoEu.1\nID de réunion: 952 8934 4476\nCode secret: Livres URL:https://eurorbem.sorbonne-universite.fr/event/histoire-de-la-litterature-russe-xviiie-xxe-siecles-22/ LOCATION:ZOOM CATEGORIES:Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260327T140000 DTEND;TZID=Europe/Paris:20260327T170000 DTSTAMP:20260426T192720 CREATED:20260324T123600Z LAST-MODIFIED:20260324T125301Z UID:7301-1774620000-1774630800@eurorbem.sorbonne-universite.fr SUMMARY:Éthique et réceptions décentrées : Dostoïevski irrecevable ? DESCRIPTION:Dans le cadre du séminaire interlaboratoire « L’espace littéraire de Berlin à Vladivostok ».  \nMaudit soit Dostoïevski. Un cas d’études pour construire une histoire contextuelle\nIntervention de Victoire Feuillebois (Université de Strasbourg\, ANR ArtAtWar) \nLe déclenchement de la guerre en Ukraine a suscité de nombreuses relectures critiques du canon russe : les deux auteurs incarnant le plus cette mise en accusation de la littérature classique sont Pouchkine et Dostoïevski\, et c’est sur ce dernier que l’on propose de se pencher ici. On partira de la notion de dostoïevskisme employée par l’intellectuelle ukrainienne Oksana Zaboujko pour tenter de cerner le problème éthique et politique posé par le corpus dostoïevskien. Car loin de se fonder uniquement sur les réappropriations du pouvoir poutinien qui n’hésite pas à emprunter aux écrits de l’écrivain russe\, la critique de Zaboujko s’attaque à l’homme et en particulier au romancier\, là où prédominait jusqu’alors le consensus autour des « deux Dostoïevski »\, le romancier génial devant être distingué du publiciste ultra-conservateur. Or\, la notion de dostoïevskisme\, souvent interprétée comme un appel à purger le canon classique d’oeuvres inassimilables aujourd’hui\, ouvre en fait vers une tradition de contestations du corpus dostoïevskien qui a longtemps été minorée. \n\n\nPenser l’irrecevabilité morale d’une œuvre « mondiale ». À propos de Crime et châtiment et de quelques-unes de ses adaptations cinématographiques\nIntervention de Aline Lebel (Université de Strasbourg\, ITI Lethica) \nQue faire des œuvres littéraires qui véhiculent des normes ou des valeurs inacceptables\, du fait de la distance historique ou culturelle ? Dans le sillage des théorisations de l’« intraduisible » (Cassin\, 2004 ; Apter\, 2015)\, cette communication se propose de revenir sur la question de l’irrecevabilité morale\, comprise comme ce qui menace potentiellement le devenir-mondial d’un texte et sa circulation au-delà de son contexte d’origine. Pour cela\, elle s’appuiera sur un cas exemplaire : l’analyse de quelques-unes des adaptations cinématographiques de Crime et châtiment\, de Dostoïevski. Œuvre mondiale par excellence\, au sens où l’entend David Damrosch (2003)\, celle-ci pose en effet des difficultés de lecture d’ordre non seulement politique\, mais éthique : il s’agira d’en étudier les formes variables\, en fonction des contextes culturels et historiques\, ainsi que les usages qu’en font les réalisateur·ices. \n\n\nAccès à la visioconférence via le logiciel Zoom\nRejoindre la réunion Zoom [Heure: 27 mars 2026 14:00 Paris] \nID de réunion: 975 1159 0300\nCode secret: 416637 URL:https://eurorbem.sorbonne-universite.fr/event/ethique-et-receptions-decentrees-dostoievski-irrecevable/ LOCATION:Université Grenoble Alpes Maison des langues et des cultures Salle Jacques Cartier\, 1141 Avenue Centrale\, Saint-Martin-d’Hères\, 38400 CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2026/03/affiche_espace-litteraire-4_Dostoievski.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260402T170000 DTEND;TZID=Europe/Paris:20260402T190000 DTSTAMP:20260426T192720 CREATED:20260122T103413Z LAST-MODIFIED:20260122T103422Z UID:6966-1775149200-1775156400@eurorbem.sorbonne-universite.fr SUMMARY:Histoire de la littérature russe\, XVIIIe-XXe siècles DESCRIPTION:Oleg Lekmanov (Helsinki Collegium for Advanced Studies) : Проблемы\nпостроения биографии русского/советского писателя ХХ века. \nhttps://zoom.us/j/95289344476?pwd=yvHQQl2EU1zo0xgdbVbUEH6ESuMoEu.1\nID de réunion: 952 8934 4476\nCode secret: Livres URL:https://eurorbem.sorbonne-universite.fr/event/histoire-de-la-litterature-russe-xviiie-xxe-siecles-23/ LOCATION:ZOOM CATEGORIES:Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260409T133000 DTEND;TZID=Europe/Paris:20260409T170000 DTSTAMP:20260426T192720 CREATED:20260409T071342Z LAST-MODIFIED:20260409T071934Z UID:7415-1775741400-1775754000@eurorbem.sorbonne-universite.fr SUMMARY:Littérature\, rhétorique et guerre DESCRIPTION:Séance commune des séminaires ArtAtWar\n\nAntoine Nicolle (INALCO / CREE) – « La censure littéraire post-24 février : de la proscription à la prescription »\nRiccardo Nicolosi (LMU Munich) – « Putins Kriegsrhetorik. La rhétorique comme arme – les discours de Poutine comme outil politique » (en anglais)\n\nLien pour assister à distance : https://bbb.unistra.fr/rooms/vic-xcp-wfo-fyi URL:https://eurorbem.sorbonne-universite.fr/event/7415/ LOCATION:Université de Strasbourg / Salle 4202 CATEGORIES:Séminaires ATTACH;FMTTYPE=image/jpeg:https://eurorbem.sorbonne-universite.fr/wp-content/uploads/2026/04/Capture-decran-2026-04-09-a-09.09.30.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260409T170000 DTEND;TZID=Europe/Paris:20260409T190000 DTSTAMP:20260426T192720 CREATED:20260122T103004Z LAST-MODIFIED:20260226T101658Z UID:6961-1775754000-1775761200@eurorbem.sorbonne-universite.fr SUMMARY:Histoire de la littérature russe\, XVIIIe-XXe siècles DESCRIPTION:Maïa Kutcherskaïa (Moscou) : Как и из кого делали писателей в СССР ? К истории\nлитературной учебы в 1920-1960-е годы. \nhttps://zoom.us/j/95289344476?pwd=yvHQQl2EU1zo0xgdbVbUEH6ESuMoEu.1\nID de réunion: 952 8934 4476\nCode secret: Livres URL:https://eurorbem.sorbonne-universite.fr/event/histoire-de-la-litterature-russe-xviiie-xxe-siecles-21/ LOCATION:ZOOM CATEGORIES:Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260410T140000 DTEND;TZID=Europe/Paris:20260410T160000 DTSTAMP:20260426T192720 CREATED:20250722T072539Z LAST-MODIFIED:20260305T153935Z UID:6356-1775829600-1775836800@eurorbem.sorbonne-universite.fr SUMMARY:Séminaire commun Eur’ORBEM DESCRIPTION:La Fabrique des savoirs : élaboration\, conservation\, évolution des savoirs dans le contexte des circulations transnationales \n\nJean Boutan: Le genre des blagues de guerre : un répertoire nouveau pour l’écriture du premier conflit mondial\, entre Jaroslav Hašek et Karl Kraus.\nKatia Rozova: Transmissions diasporiques : savoirs et générations dans l’exil russophone en France dans l’entre-deux-guerres.\n\nProgramme 2025-2026 \n  URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-commun-eurorbem-27/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaire commun Eur'ORBEM,Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260416T170000 DTEND;TZID=Europe/Paris:20260416T190000 DTSTAMP:20260426T192720 CREATED:20260122T103540Z LAST-MODIFIED:20260122T104144Z UID:6968-1776358800-1776366000@eurorbem.sorbonne-universite.fr SUMMARY:Histoire de la littérature russe\, XVIIIe-XXe siècles DESCRIPTION:Maksim Hanukai (University of Wisconsin-Madison) : The Collective Bodies of\nMoscow Conceptualism. \nhttps://zoom.us/j/95289344476?pwd=yvHQQl2EU1zo0xgdbVbUEH6ESuMoEu.1\nID de réunion: 952 8934 4476\nCode secret: Livres URL:https://eurorbem.sorbonne-universite.fr/event/histoire-de-la-litterature-russe-xviiie-xxe-siecles-24/ LOCATION:ZOOM CATEGORIES:Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260512T173000 DTEND;TZID=Europe/Paris:20260512T193000 DTSTAMP:20260426T192720 CREATED:20250929T083907Z LAST-MODIFIED:20260305T153859Z UID:6530-1778607000-1778614200@eurorbem.sorbonne-universite.fr SUMMARY:Critical Heritage Studies in the Post-Socialist Space. Vulnerable Past Uncertain Future Institutionalization of Heritage in Times of Crisis DESCRIPTION:Les archives comme patrimoine : trajectoires des institutions archivistiques en Ouzbékistan\, au\nKazakhstan et en Russie\nArchives as Heritage: Trajectories of Archival Institutions in Uzbekistan\, Kazakhstan\, and Russia \n\nAnna PRONINA (independant researcher) :\n«Uzbekistan’s Archival Landscape: Storages and Heritage»\nJamilya NURKALIEVA (the Tselinny Center of Contemporary Culture in Kazakhstan) :\n«Documentation: Imagining Central Asia on the Map of Contemporary Art»\nIrina GALKOVA (Université de Caen Normandie & Mémorial) :\n« La Route morte en Sibérie au prisme des archives non officielles »\n\nZoom  Inscription : aleksandra.kolesnik@uni-bielefeld.de\nProgramme_CHS_25-26 URL:https://eurorbem.sorbonne-universite.fr/event/critical-heritage-studies-in-the-post-socialist-space-vulnerable-past-uncertain-future-institutionalization-of-heritage-in-times-of-crisis-6/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260602T090000 DTEND;TZID=Europe/Paris:20260602T180000 DTSTAMP:20260426T192720 CREATED:20250929T084245Z LAST-MODIFIED:20260305T153832Z UID:6540-1780390800-1780423200@eurorbem.sorbonne-universite.fr SUMMARY:Critical Heritage Studies in the Post-Socialist Space. Vulnerable Past Uncertain Future Institutionalization of Heritage in Times of Crisis DESCRIPTION:Workshop “From Imperial Narratives to Decolonization: Museum Institutions and Practices in Central\nAsia” – The IEA Projet “The Museum as a National Narrative in Central Asia (19th–21st Centuries):\nUnpacking the Circulation of Objects and Ownership Regimes through International Collaboration” \nKristina BEKENOVA (Scuola IMT Alti Studi Lucca\, Italy)\, Tenlik DALAYEVA (Abai KazNPU)\, Svetlana GORSHENINA\n(Eur’Orbem – CNRS / Sorbonne université)\, Igor KRUPKO (Center for the Rapprochement of Cultures under the auspices\nof UNESCO)\, Dilda RAMAZAN (Eur’Orbem – CNRS / Sorbonne université)\, Maria SILINA (Ruhr-Universität Bochum /\nUniversité du Québec à Montréal)\, Gulmira SULTANGALIYEVA (Al-Farabi KazNU)\, and other participants. \nZoom  Inscription : aleksandra.kolesnik@uni-bielefeld.de \nProgramme_CHS_25-26 URL:https://eurorbem.sorbonne-universite.fr/event/critical-heritage-studies-in-the-post-socialist-space-vulnerable-past-uncertain-future-institutionalization-of-heritage-in-times-of-crisis-7/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaires END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260619T140000 DTEND;TZID=Europe/Paris:20260619T160000 DTSTAMP:20260426T192720 CREATED:20250722T072658Z LAST-MODIFIED:20260305T153752Z UID:6358-1781877600-1781884800@eurorbem.sorbonne-universite.fr SUMMARY:Séminaire commun Eur’ORBEM DESCRIPTION:Atelier : La fabrique de la thèse \nSéance consacrée aux doctorants du labo junior Passages. \nProgramme 2025-2026 \n  URL:https://eurorbem.sorbonne-universite.fr/event/seminaire-commun-eurorbem-28/ LOCATION:Institut d’études slaves – Salle de conférences\, 9 rue Michelet\, Paris\, 75006 CATEGORIES:Séminaire commun Eur'ORBEM,Séminaires END:VEVENT END:VCALENDAR